Today I danced behind a tiny nun and a married couple in their eighties, wearing matching tank tops. Real people, not costumes. How did I get here? The other day I confessed to my friend Lisa that I wanted to beat holiday stress, and my tension around budget meetings with my husband, plus upcoming doctor appointments. She suggested I dance.
I have always loved dancing. When I was in my twenties and thirties and someone would ask, “If money and time were no issue, what would you do for a year?” My answer was always, “Travel the world and dance.” The catch is that now, my spine is fused from the base of my skull to just above my shoulders. It was a necessary consequence of removing the tumor last year. That means that there is a whole lot of hardware keeping my neck stable. And, since 70% of our rotation comes from those top vertebrae, I can’t move my head from side to side or shake it up and down like I want to when dancing. I can’t even strike the Stayin’ Alive pose with my right arm pointed toward the heavens and my face tilted forwards and to the left. My head just sort of follows my arm, like I’m wanting the disco ball to slap me in the forehead.
I wasn’t excited about going to a dance class and feeling how much mobility I have lost. I didn’t think I could take looking at myself in the wall-to-wall mirror, and seeing how stiff I am now. Nor did I want to be around other people, twisting and shouting and swinging their hair around like they were made of supple somethings.
This is also Boulder. I didn’t feel ready to be in the same room with superstars. Most dance or yoga classes you go to in this town, everyone looks like they just returned from a retreat in India or Mexico; they are tanned and smell of sand and lotus petals. They wear Lululemon tops and leggings with expensive mandala patterns on their thighs. So when Lisa said the class was at the local recreation center and not at one of the fancier studios in town, I felt less intimidated. I paid my $7.50 and went in.
When I arrived in my sweats, a bearded man in his fifties wearing Adidas shorts and a tie-dye t-shirt showed me where the water fountain was in the hall. He asked me if I was there for Juliet’s dance class called Ayre. When I said yes, he smiled and responded, “I can’t imagine my life without it.” Then the eighty-year-old, married couple in matching tank tops marched right through the door of the room, up to the mirror, and claimed space in the front row. I tried to stay in the back row, but my friend Lisa called me forward. I didn’t want to move up, in case I caught my image in the mirror. I was chicken. But then a tiny, elderly nun in a navy blue track suit, still in her wimple and veil, walked past me and stood in power pose up front. I accepted her wordless challenge and moved up, at least into the middle of the room.
The music starts. First, soul tunes from Cee Lo Green to warm up followed by Blackstreet’s “No Diggity.” Before I know it, I am moving. My mind has no choice but to go along. It has to drop the to-do list if I’m going to keep up with the beat. I am counting 1-2-3-4 in my head and I can’t take my eyes off the nun’s quick feet. Then the songs get faster, the lyrics more explicit, and our instructor has us stepping right, left, forwards, backwards and punching the air. Several people in the class shout out “Yes!” when no one has asked them a question. About thirty minutes in, I am drinking the Kool-Aid and feeling it. I’ve left my holiday stress behind. I shake the parts of me that I can still shake. I feel loose, even sexy. I close my eyes. Then the group kicks forwards when I kick back. I hear a grunt, and turn around to see the bearded man bent over a little. I keep moving, knowing that I may have given the hippie a charlie horse.
Two minutes later, I find my new favorite dance move. Strut to the left, then strike a pose with the back of your hand to your forehead, Scarlet O’Hara style, like you’re saying, “Alas! I cannot go on.” It’s how I feel about the world sometimes, and the holidays, but turning it into a dance pose made me laugh at myself and my unproductive despair.
This time of year, I get caught trying to keep up with the Jones: I want the holidays to be perfect. This morning, it was good to try to keep up with a tiny nun instead. Going to the dance class was my “brave over perfect” move of the week. It only cost me $7.50 and an hour of my time to change my state of being from tense to free.
Joy during the holidays is dazzling, brilliant, and magnificent. It is also fickle. One hint of a cool breeze of perfectionism, and joy leaves the building. To invite it back in, try getting out of your head and into your body. Step together step, then strike a Scarlet O’Hara pose, spin, and shake it off. I’ll see you on the dance floor.
I love our Brave Over Perfect coaching group!! And we’re so thrilled to get so much great feedback. One participant just wrote:
“I would recommend [this group coaching] to friends and some of my own coaching clients, both for Christine’s teaching content and the group coaching experience, which helps people feel they are not alone in their struggles.”
If you’re intrigued, now is a great time to join us, as you’ll get two themes for the price of one. November’s three call recordings (about authenticity and dealing with difficult people) will remain online until the end of December.
Image credits: featured: betterhealthforwomen.com, Stayin’ Alive: dailymail.co.uk, dancing nun: b3ta.com, Michael Jackson: bet.com, fainting gesture: tvtropes.org.