We’re in the beginning phases of planning my Gratitude Book Launch tour and need your help! I’ll be in the Bay Area May 8-12, New York May 29-June 2 and Boston June 3-5. Can any of my amazing friends or followers help me secure public venues for a reading or speaking gig? Think out of the box and BEYOND bookstores (as they seem to be all booked solid). If you have an in or ideas on other spaces we can contact, please let me know!
My forthcoming memoir, Fierce Joy is out May 15.
Fierce Joy everything I know about bravery as a woman, a partner, a parent, a leader, an athlete, an activist, and a brainstem tumor survivor. My editors say it’s fast-paced and beautiful and funny. I say, don’t forget that it’s a love story. This is the memoir I’ve been working on in the pre-dawn darkness every day for the past two and half years. It’s about showing up real in life and at work and what gets in the way, namely perfectionism. It’s about love and death and living life to its fullest. It’s about choosing joy over fear and brave over perfect. It’s about looking underneath our fears to find unlimited joy. It’s about how our striving, saving, and performing to do things the “right” way is making it impossible for us to show up real. It’s about how Fear has become a main character in our lives, and a dangerous obstacle to real change.
You are ten years old as I write this letter, meant for you to read as a young woman. This is your map to self. This is your map to safety. At ten, you talk to flowers, pose questions to the moon, go on brave adventures, and make up songs. Your lyrics are often about finding your way. When you are lost, unfold this letter and find yourself. Find me, too, holding your hand and your heart.
When you were born, you were bald and pink and curled up like a smooth-skinned armadillo, yet I thought you were absolutely beautiful. It was as if I could see and touch joy itself when holding you. And yet the fear that something might happen to you quickly filled me in equal measure and I would wake up with short, sharp inhales of fear.
Mostly, I feared that I was not good enough. You may feel that way sometimes, like you are not good enough, or that there is something wrong with you, because you can’t keep up with the world’s expectations. There is nothing wrong with you. There is something wrong with our expectations of women.
Our culture celebrates women for their beauty or their extraordinary achievements. But when we don’t feel beautiful and when we aren’t the top performer, we don’t question our culture’s messages, we question our worth.
I want to set that straight. You were born worthy. It is not something you need to earn or prove. Your value is like my love for you; it is in flash-flood mode all the time, with no banks or limits.
I was raised to believe that I could be anything I wanted to be. But the way I internalized that message was that I must be great. And there were many times that I didn’t feel capable of being great. All I ever saw were the outer, perfect performances of women in my life. I never heard about their inner conflict, so that when I encountered doubt or my own imperfections, I thought that the confusion I experienced was uniquely mine.
I assumed everyone else knew exactly what she was doing.
Ask women for their stories, you will hear the constellations of struggle and courage that make up who we are.
The opposite of joy is not sadness, but perfectionism. When you are straining to do all parts of your life so well to rise above confusion and criticism, that’s what I call perfectionism. The world doesn’t need you to be perfect, it just needs you to contribute to the common good.
I want to rebel against the idea that our bodies are not already perfect, as they are. What if we praised our eyes, lips, fingers and toes, bones, shoulders, and muscles for all of their genius? What if we admired them the way we admire other natural bodies like the sun, moon, and stars?
At ten, you are in love with your body: the strength and speed of your legs, the joys of your flexibility, the power and grace of your muscles. Soon, you may think your body is something to hide and to hate. Listen. Your body is perfect as it is. You have your Nana’s angular legs and arms, your Grandma’s nose and wavy hair, my deep-set eyes and fair skin, and your own full lips and mouth. Your body is your connection to me, to your grandmothers, and to women around the world. It is the home of the umbilical cord and the womb.
Sometimes brave means to be bold, sometimes it means to be vulnerable
When I was a little older than you, I was embarrassed that I didn’t yet have my period. Then, when I finally got it, I was ashamed of my body. I wore baggy clothes to hide my shape, and I spat at my reflection in the mirror in disgust. When you get your period, celebrate. I’m serious. Your period may be annoying, but it is not shameful. By shedding the lining of your uterus once a month and building a fresh one, your body is teaching you to let go of what does not serve you. Your body is powerful and magnificent.
Becoming a woman is not just about your body changing; it is the process of discovering who you are by listening to your inner voice. Becoming a woman is growing brave enough to express yourself, even when you are afraid.
Sometimes being brave means to be bold, but sometimes it means to be vulnerable. Sometimes brave means to forge ahead, other times it means to be still. Sometimes it means to fight, other times, brave means to let go. What it means to be brave will change as you change.
“Mama, will my voice change when I grow up?” You asked me the other day. I guess you had heard that your brother’s voice will soon crack and deepen.
“No, no. Your voice will always stay the same,” I said dismissively.
But that’s not true. If you think about your voice as the instrument with which you author your life, and not just the physical sounds that come out of your throat, then it will definitely change. It will get lost, and you will find it again. You will lose it when you try to please everyone. To find your voice again, remember what you loved to do when you were nine, or ten years old, before others’ voices mattered more to you than your own.
In case you’ve forgotten, you spent whole afternoons climbing trees, singing songs you created, and inventing elaborate treasure hunts. What if you devoted a day to no one but yourself and nature? And instead of trying to reach a summit, you explored around you, with bravery, curiosity, and imagination? Do what feels good, despite your fear saying, You will disappoint everyone and go broke. Slowly, through a daily practice of being brave, your fear will get bored and shut up, while your unique voice gets louder and clearer.
To find your voice again, remember what you loved to do at 9 or ten years old.
I can’t help but make a connection between our mutual love of treasure hunts and this crazy experience called life. How can it be that we can love these hunts so much, but be uncomfortable facing big uncertainties in life such as Will I find love? My passion?A way to save the world? It’s easy to get scared into thinking there isn’t a next clue. But I’m here to tell you that there will always be a next clue and you will always find it.
If you live like that, with bravery and trust, then life becomes one big treasure hunt, an adventurous game that is our privilege to play.
I have no solid footing here to tell you that you will never be left alone, or that your worth will always be recognized by others. To the little girl inside me, nothing is more murky than my value. Yet nothing is more clear to me than your value.
When you feel lost, know that I am with you. I am as much a part of you as your fingers, your toes, your beating heart, your wild instincts, your breath. Feel me listening to you, holding you, and giving you a loud, standing ovation.
This morning, like every morning, I chose a random Mary Oliver poem to read. Today I stumbled on “Magellan.” And because I was procrastinating from the scary work of sending out my book for review, I searched Magellan on History.com. I read about his epic voyage around the world, how his slave, Enrique, might be the real, first person to circumnavigate the globe, and how Magellan died before reaching his goal. Mostly I was speechless by the sheer audacity of it all.
The biography never mentioned when he was born. I was curious. I typed in: “When is Magellan’s birthday?” February 3, 1480. I’m not kidding. Today is his birthday. What mysterious forces made me choose that poem and spend the morning reading about Magellan? What am I supposed to learn from this dead white guy? I think it’s best summed up in these lines from Mary Oliver’s poem about him:
“Let us find our islands
To die in, far from home, from anywhere
Familiar. Let us risk the wildest places,
Lest we go down in comfort, and despair.”
We need to be more daring. Take bigger risks. Go toward uncertainty. Magellan was brave enough to venture into unknown waters. He may never have left his comfortable life if he knew just how big the world was. Without knowing where he was going and what he would find, he and his crew sailed on, so that the rest of us could have a better sense of how round and beautiful our world truly is. (What did him in was not the voyage, but an act of superiority that he could easily have committed after too much Sangria at home.)
When we are willing to leave behind what is familiar and comfortable, we expand our imagination and our sense of possibility. We create new maps for others to follow. Maybe Magellan himself steered my fingers toward the poem today. Tomorrow is World Cancer Day. Magellan may have wanted to share with me the secret to living with cancer, to starting a new business, to putting a book out into the world:
Sail on.
None of us ever know what lies ahead. I’m pretty sure there will be some shipwrecks and mutinies. But in risking “the wildest places,” we might find a new ocean with yet-to-be-named whales that sing while they leap into the limitless sky.
Sail on.
I’ll be cheering you on as you make your next brave move.
High winds, full moon, pen and poetry in hand, we head out. It’s the only way I know to honor the poet who gave me a deep love of all seasons. So that’s just what my friend Emma and I do. Long ago, I was Emma’s English teacher, introducing her to the poet, Mary Oliver, who passed on January 17th. I taught my students her poems because I wanted them to go forward knowing “You don’t have to be good.” Also, I wanted them to know that poetry doesn’t have to be written in dense, difficult language, accessible only to the few, and the snobby.
Now Emma is a teacher, sharing Mary Oliver’s poetry with her students. She points out that when Oliver describes the sound of the wild geese, she does not use the words “sweet or easy.” She says their call is “harsh and exciting,” just like the journey of finding our place in the world.
It was a funny scene. Two women in the dark, in very puffy jackets, sliding backwards on ice, clutching poetry to our chests in a powerful headwind. We found a great sitting rock in a snowy field and opened our books. Then we raised our voices to the moon and read poem after poem from Oliver’s prolific life.
All my life, I have roamed through fields and mountains, asking questions. What is this life and how do I fit in it? I thought I was lazy and lost, because others were busy making money or starting non-profits, while I was scribbling in my journal. But then I found Mary Oliver’s poetry. And it saved me. She, too, chose to spend her days strolling through fields, and was brave enough to ask, “Tell me, what else should I have done?”
In my twenties, Mary Oliver taught me that I didn’t have to be perfect. In my thirties, she taught me that all poems should have birds in them. In my forties, she is teaching me to face death, and love my life.
When I received a scary diagnosis in 2016, I turned again to Oliver’s poetry. And for the first time, I noticed how much she writes about death, and how unafraid she is of it. “When it’s over, I want to say: all my life/I was a bride married to amazement.” In her bold acceptance of the end, I found a key to how to live in the moment, “Make of yourself a light.” But still, I struggled with the end, and letting go of my life.
I finally wrote Mary Oliver a letter. I said, “Thank you for teaching me that paying attention is a form of prayer. In recent days, especially, I have needed that. I was told that I only have a few months to live. I could use your wisdom now. In “Gravel,” you ask three times, “Are you afraid?” And I want to shout loud enough for you to hear me, “I am.” I wake up in the middle of the night, and wonder, Have I made something “particular and real” out of my life? Do you have any advice for me? Can you teach me to let go?”
I did not get a reply from Mary Oliver in the form of a letter. I never expected to hear from her. But I found answers in the shape of a fox’s den, and the remains of a dead rabbit at its entrance. I saw the bones and I noticed the healthy, playing fox kits, and I understood what she wrote in “In Blackwater Woods,” “To live in this world/you must be able/to do three things/to love what is mortal/to hold it against your bones…/and when the time comes to let it go/to let it go.”
Later, when I was faced with a tough choice about whether to undergo emergency surgery, I felt stuck. The safe thing to do was tell the doctors to perform a less-dangerous surgery that might buy me a few years. The more crazy choice was to tell the doctors to take big risks to try to save my life, for good.
I didn’t know what to do. Irrationally, I turned to poetry. I found my response in the last lines of Mary Oliver’s poem, “Moments,” “There is nothing more pathetic than caution/ when headlong might save a life,/ even, possibly, your own.”
I told the doctors not to hold back. Take every risk. Save my life. And they did.
Since then, I have a simple morning ritual that I have not broken. I wake, light a candle, and read a single Mary Oliver poem, chosen at random. Her words ground me in the wisdom of lilies and herons, grasshoppers, and goldenrod. The day and all of its chaos can begin, because I remember that I am a part of nature, not apart from it. And I remember that human nature, though tricky, bends toward love.
Yesterday’s poem happened to be “Flare.” “Let grief be your sister, she will whether or no./ Rise up from the stump of sorrow, and be green also/ like the diligent leaves./ A lifetime isn’t long enough for the beauty of this world/and the responsibilities of your life./ Scatter your flowers over the graves, and walk away.”
I can hear Mary Oliver’s gravelly voice and see her strong hand, waving, as if to say, “Go. I’m alright. Move along.” Or in her actual words in the poem, “October,” “This is the world. I’m not in it. It is beautiful.”
Last night, under a full moon, with pen and poetry in hand, we had to agree. The moon was so bright we could clearly see our hands, the trees, and the trail home, despite the darkness. It was beautiful. Thank You, Mary Oliver, for giving us the gift of light, and the gift of words that save lives.
We pray for clarity, do juice cleanses for it, and beat ourselves up over our lack of it. We feel the pressure for clarity this time of year when everyone is making goals and shedding bad habits. We act as if clarity is a thing that we cannot move forward without, like a car engine or, shoes. But clarity is not a thing; it’s a process.
When a friend asks about your plans for the future, do you respond with phrases such as, “When I’m ready…” or “Once I figure out what I want…” or, “As soon as I know what to do, then I’ll do it.” But do we have to put off creating the life we want until after we possess the elusive clarity?
Fear’s favorite tool is the procrastination hammer, and everything uncertain is a nail.
What if clarity is overrated? One thing I’ve learned from living with an incurable disease is how to get comfortable in the unknown. Every six months I return to Boston for scans and neurological tests to see if I am healthy or not. In between, I try to live a “normal” life.
I like to describe my technique as “Scared as sh**, but moving forward anyway.”
This technique works with the writing process as well. I love writing, and feel so lucky that people are reading. But what’s the next step? I have no idea. Still, I wake up every morning at six, light a single candle, and scribble until six thirty, sometimes seven. I used to think the process was figure out what you want to say, then write it down. But it’s the opposite. I write to discover what I want to say. Is life the same? Can we explore our way into understanding and clarity?
As a coach, I help people find clarity. I’ve spent the past few years understanding the process and developing tools for getting clear. But my clients often say, “Why don’t I know what I want? What’s wrong with me?” There is nothing wrong; the stage before knowing is not knowing.
Once, when I was struggling with the stage of not-knowing, my friend made me walk around the kitchen muttering, “I can’t walk. I can’t walk.”
“Why am I doing this?” I asked.
“You can walk! See?”
“What’s your point?”
“We can walk despite our thoughts saying that we can’t. We can write even when we don’t know what will come of our writings. We can take action even when we don’t know if it’s the right action. When your mind tells you that you need clarity before beginning, don’t believe it. Instead, trust that if you put one foot in front of the other, or pen to paper, something good will happen.”
Instead of clinging to clarity, we could be cultivating trust.
“Be patient toward all that is unsolved in your heart and try to love the
questions themselves, like locked rooms and like books that are now written
in a very foreign tongue. Do not now seek the answers, which cannot be given
you because you would not be able to live them. And the point is, to live everything.”
Clarity is not overrated. It’s freeing and powerful. It’s the idea that we must get clear before we start that is overrated, and limiting. While we’re waiting, we miss the fun of being alive. Instead, let’s play. Stay open and curious. Get dirty. Fall. Rise. Repeat. “The point is, to live everything.”
If you had a tough 2018, I hear you. Let’s close the book and celebrate that we’re here now, with a brand new year ahead. This New Year’s, I am borrowing a ritual from Elizabeth Gilbert, the author of Eat, Pray, Love & Big Magic. She creates a small ceremony every New Year’s Day to reflect on the past year and start fresh in the new one. Find some quiet. Light a candle. Write down these two questions:
What do you need to put behind you?
What do you want to entice in the year ahead?
Let the pen run without thinking as you answer. These are not resolutions, just reflections. When you’re done, burn them. Then drop the ashes in water. Let go.
One New Year’s, in an effort to involve my family in a reflective practice, I passed out paper and pencils at dinner with the grandparents. I asked everyone to reflect on the past year. My dad looked confused, “Do you mean the calendar year or fiscal year?”
“Calendar year, Dad.”
“At the end, do we add up our list for points and see who wins?”
“No, Dad. It’s just to reflect.”
“Why would we do that?”
As Gilbert says, “Whether you feel like taking a victory lap, or lying down in a darkened room with a cool washcloth over your eyes, you did it…Give yourself some silence in which to figure out what you need to put behind you and what you are ready to welcome in the new year.”
Last year, I did a New Year’s ceremony alone. I walked to a partially-frozen river. I threw rocks in the water, each one representing a fear I was ready to release: that we’ll go broke, that I started writing too late, that we’ll go to war with North Korea, that I should have worn more sunscreen as a kid.
This year, I don’t want to do the tiny ritual alone. I love the idea of you and I burning or drowning everything that no longer serves us, in different time zones and on different continents, all around the world. Are you in? All we do is write down a few things we want to leave in 2018 and a few we want to attract in 2019.
I want to set myself free from:
poor sleep
an unhelpful fear of death
kids my kids love being diagnosed with cancer
trying to “improve” my husband and kids
I am ready to welcome:
more sleep
a book to launch
a clean bill of health
one big, family adventure
abundance (in love and money)
But no one needs to see your list, ever. And don’t worry, we won’t add them up for points. We’ll just carry our scribbles to the nearest sink, fireplace, or body of water, and strike a match.
Ultimately, we’re lucky. We get a fresh start. We’ll honor those who don’t get that chance, plus those who are grieving, and those who are in the middle of something really challenging. Let’s burn off some of their suffering and pain, too.
Please, do this tiny ritual with me. Get quiet and reflect. Burn some sh**. Let me know how it goes. Take a picture. Post it. Let’s set ourselves free from the past, and step bravely into the new year, together.
***Don’t forget the flash sale on coaching (50% OFF) ends today, Dec. 31st! I coach over the phone, working with you wherever you are in life and geography!
Before, my secret way to write was to procrastinate forever then to work in frantic, uneven bursts; I insisted that I needed big chunks of time and a clean desk in order to write. I thought it was the only way to be inspired, and to find flow. But since my surgeries, I have a fraction of the energy I used to have. If I was going to write a book and start a business, I needed to find a new way. How do I get anything done if I have to lie down all the time? Aim for progress, not perfection.
For example, I just handed in my memoir to the publisher; it’s about 70,000 words. I wrote the book 30 minutes at a time, with multiple naps in between. A friend was curious about my system. She asked me to share what I do, reminding me that, “None of us have the energy we used to have!” So maybe my “progress over perfect” strategy is helpful to you, too.
My new secret way to amplifying focus and minimizing procrastination is not so secret. It is fundamentally the same as the fantastic Pomodoro Technique, with a twist. It waves goodbye to multi-tasking and goal-setting. And says hello to rest and moving forward. When I was in the hospital, the key to my mental and physical health was to focus on small victories. It’s important to shift our gaze from the overwhelming size of any project and toward progress.
It starts with the night before. I decide what tiny piece of writing (or task) I want to work on the next day. When I put my computer to sleep, I make sure that the page I open to in the morning is not my email inbox, and not a blank document (too much pressure!) but a document with some of my scribbles already on it. My friend Teresa, who is a single mom, a scientist, and a PhD candidate, starts each morning by filling in the lines and points on a single graph. She is going to finish her dissertation this year, one graph at a time.
When I wake up, I light a candle for luck and light, and I set my watch timer to 30 minutes before I do anything else. Yes, I still have a watch, and No, I don’t recommend that you use your phone. I need to keep my phone in another room, on airplane mode, because it is too distracting.
I like the Pomodoro idea of using a kitchen timer, but is anyone else sensitive to the loud ticking? It made me feel like there was a bomb on my desk and inside my head. I tried muffling the timer with a pillow, but that is just weird. Then I realized that any cheap digital timer will do. I love this Miracle TimeCube timer because it doesn’t tick and it’s so simple.
Next, I write for 30 minutes without judgment. Why 30 minutes? Because it is an amount of time that 1) I can usually carve out without interruption 2) It’s not so short that I don’t get into a flow, and it’s not so long that my mind finds reasons why I can’t do it 3) It’s not finicky or gimmicky; it’s easy for me to remember.
By the way, this is how I used to race ultramarathons: 30 minutes at a time. It was too intimidating to think about the whole race and how many hours I would be on my feet. So I broke it down into 30-minute chunks. Run for 30 minutes, eat and drink something, then run for another 30. You can run for a whole day like this, or longer. It reminds me of what E.L Doctorow once said (and Anne Lamott quoted) about writing a novel, “(It’s) like driving a car at night. You can only see as far as your headlights, but you can make the whole trip that way.”
To start fresh each morning, I usually move all those words I had on the page from yesterday down below the screen. I need to know that they are there, but I don’t want to get sucked into editing them, because then I don’t move forward. And that’s the key. Make progress. Once you make it about “finishing a chapter,” you’re focused on an outcome and a product, which can send your creative mind into fight, freeze, or flight mode. Focus on time, not task.
After 30 minutes, I clap at least three times to give myself a mini round of applause, and take a 5-min break. I stand up, refresh my coffee, and stare out the window.
I do this 30-minute routine three times, then take a nap. If you can’t nap because you are a teacher or a doctor or a mechanic, do something to rest and recover. In an office, I used to leave and walk around the block. And, on those days when a child is home sick, the furnace is broken, the car needs snow tires, and bills need to be paid, I still write. I do a single 30-minute interval of scribbling without judging, then I give myself a standing ovation.
To review:
Set yourself up for success the night before
Write/work for 30 min
Stop & applaud yourself
Rest: take a 5 min break
Do three more intervals on the same or different tasks (30 min + 5 min rest x 3)
Rest: take a longer break (I like the rhythm of also taking a 30-min break)
Repeat
One important note: to begin or wrap up a creative project, I still need long swaths of uninterrupted time. There is nothing more valuable than a long weekend totally alone, devoted to writing. But in the messy middle of a difficult task or a creative endeavor, just make progress, 30 minutes at a time, without multitasking.
Oh, and don’t skimp on the applause! When you are tackling something big, you better do it by loving yourself along the way, or why do it at all?
I want to talk about intimacy and sex with you. At school, you’ll get lectures about protection and diseases. Good. And yet, sex is not just about love and babies, or herpes and condoms, but about mutual respect, and curiosity.
You may feel like you are supposed to know what to do before getting intimate with someone. You may want to show up perfect. But the point of intimacy is exploration and freedom, not perfection. Everyone is, literally, feeling their way around in the dark when it comes to sex. When perfectionism enters the bedroom, it’s not just dull, it’s dangerous.
Terrible things can happen when your desire to be perfect makes you pretend to know what you’re doing. The first things to go are honest communication and vulnerability. Without them, you are not having sex, you are just satisfying an urge and taking advantage of someone. Worse, you may try to force another person to do what you want, because it feels easier than being rejected, maybe even easier than asking permission. But you must never take another’s freedom and dignity; it is a trauma that stays with someone for life. Your responsibility during sex is to remember that you are with another human being, and someone’s child; treat that person with care.
As a teenager, you may experiment with illegal substances, because you think they make you brave. But drugs and alcohol don’t make you brave, they make you deaf and dumb. When you are drunk or high, especially in a group, it’s really tough to hear the voices of reason, or compassion, or a single, scared voice telling you to STOP. Listen. There is nothing attractive about drunk sex. The sexiest thing is to touch and be touched once you and the other person in the room have said an enthusiastic, undeniable YES. But to say yes, you need to talk, you need to ask for communication.
“Use your words,” I encouraged you at two years old. I’ll keep encouraging you now to speak your feelings. It’s ok to say, “I was feeling great a minute ago. But something is changing. Let’s pause and explore.” Don’t make it your goal to be in charge. Make it your goal to slow down, and discover what makes it fun for both of you. Intimacy and sex are apart of the process of knowing who we are, who someone else is, and what it means to be human. Notice how it feels when there is no fear, because there is trust, because there is conversation, because there is connection.
Maybe the repair of the world starts in the bedroom when two people see each other not as opposites, but as equals. When you choose to have sex or not is up to you, but please go armed with condoms and kindness. And then when you say yes, say it confidently, and let fear drive someone else’s car. Remember, if you ever feel stuck or uncomfortable, even if you feel that you got yourself into the situation, call me anytime. I’ll pick you up, no questions asked, and bring you home.”
If these words were helpful to you parents, use them, copy them, make a video with a cat saying them, just please don’t avoid the subject with your teens anymore. Christine Carter, my partner on the Brave over Perfect site, has these excellent 3 tips on how to get started
And, because it’s difficult to talk to our kids when they are rolling their eyes and slipping out the window, telling us they’ve “got this,” I offer one last strategy. Write a letter to your teenager(s) about relationships and intimacy that is more positive than negative. Start with the prompt: “The sex talk I never got, but wish I had…” I believe that the next best thing to talking openly about sex is writing down your thoughts and feelings, and giving those scribbles to your children, not as a report of your trauma, but as a map to healthy, positive relationships. It might seem like they don’t care. But I’d argue that they do, and that it might be one of the most important letters you ever write.
Since the kids left for camp three weeks ago, I’ve done laundry once. I haven’t yet turned on the oven. I cooked one large batch of red-lentil curry and we have been eating that every day. When I clean the house, it’s still clean the next day. Phone chargers and scissors stay where I put them. There are no arguments about screens and bathrooms. Our home feels less like a train station and more like a quiet, tidy oasis. But that’s not the best part. The best part is I get to reconnect with my husband.
At first, it was too quiet. Our conversations were awkward. With the kids gone, there were no logistics. With no logistics, there was nothing to talk about. For years, I’ve believed that our communication was less than great. Now I don’t think it’s terrible; I think we were just out of practice.
We had to slowly get to know one another again. I finally learned what Kurt does for a living as a data scientist. And I re-learned that he needs me to sit and look right at him when he speaks, in order to feel heard. In the beginning, we fought more, not less. There were no kids around to keep us from arguing. But there were also no interruptions. So we kept talking until we got to the bottom of what was bothering us, and came to a place of deeper understanding.
When our kids were eight and ten, we made them try two weeks of sleep-away camp. We ask them each year if they want to go back, and so far, the answer has been an enthusiastic, Yes! This year and last, they have gone for one month. Our son, fourteen, goes to the same camp I went to as a teenager: one that is big on rugged camping and not much else. He’ll spend over twenty days canoeing a remote river, in northern Ontario, learning to navigate rocks and rapids, fears and friendships. Our daughter prefers to go to an all-girls camp with her cousins and the daughters of my childhood friends. She gets to sail, swim, do archery, and perform in the summer musical. They don’t have phones or screens of any kind. Mail is slow, so we rarely hear from them. Yet we know that they are being cared for by many, capable adults, so we don’t worry. This time away is good for them. It is also good for us, and our marriage.
[bctt tweet=”Sometimes I make the mistake of believing that the bond with my kids is the most important relationship. But in a few years, the kids will be grown and gone. Then what? ” username=”susie_rinehart”]
This month, our relationship has a certain quality of attention: we are less needy and more curious. We head to the mountains to hike as fast as we want, identify wildflowers by their latin names, and fish in high alpine lakes. For us, with the kids away, it’s less like we’re wild twenty-somethings, and more like we’re two souls protecting one another’s solitude. I read, and Kurt learns to play the drums. I go dancing, while he heads out on a bike ride. After dinner, we jam a little: Kurt on the guitar and me on the banjolele, and we fantasize about having a family band when the kids come back.
Sometimes I make the mistake of believing that the bond with my kids is the most important relationship. But in a few years, the kids will be grown and gone. Then what? I don’t want to wait to find out. I want to hold my sweetheart’s hand now with a long afternoon before us, and toast how far we’ve come, how far we’ll go, together.
I am thrilled to share my recent talk from TEDx Boulder in June. Grab some popcorn for an 8 min ride! I always do something scary for my birthday, but usually it involves running a race over high mountain passes. This time, the mountain I had to climb was facing my fears and 1,500+ people, to tell my story. I never expected what happened. The energy that night was so incredible and positive that I want to share it with you.
May this video be a match strike for your courage to face a challenge, have that tough conversation, or begin something bold.